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Then his voice rose until it filled the cavern. “But the curse was nothing. Words can do no harm, can do nothing, to a man. I live. A hundred generations have I seen come and go, and yet another hundred. What is time? The sun rises and sets, and another day has passed into oblivion. Men watch the sun and set their lives by it. They league themselves on every hand with time. They count the minutes that race them into eternity. Man outlived the centuries ere he began to reckon time. Time is man-made. Eternity is the work of the gods. In this cavern there is no such thing as time. There are no stars, no sun. Without is time; within is eternity. We count not time. Nothing marks the speeding of the hours. The youths go forth. They see the sun, the stars. They reckon time. And they pass. –Robert E. Howard (The Lost Race)

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“Whimpering a little, with the hunger of a starved hound, he waited. He was a monster that nature had made, ready to obey nature’s first commandment: Thou shalt kill and eat. He was a thing of terror… a fable whispered around prehistoric cavern-fires… a miscegenation allied by later myth to the powers of hell and sorcery. But in no sense was he akin to those monsters beyond nature, the spawn of a new and blacker magic, who killed without hunger and without malevolence.”–Clark Ashton Smith (Monsters in the Night)

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“And a Shape in the shadows wags its grisly head forever?

You swore by the blood-crust that stained your dagger,

By the haunted woods where hoofed feet swagger,

And under grisly burdens misshapen creatures stagger.

Up, John Kane, and cease your quaking!

You have made the pact which has no breaking,

And your brothers are eager their thirst to be slaking.

Up, John Kane! Why cringe there, and cower?

The pact was sealed with the dark blood-flower;

Glut now your fill in the werewolf ’s hour!”–Robert E. Howard (Up, John Kane!)

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I stand chilled and alone in a desolate cane field next to a dead man. His neck is twisted and bent
at an unnatural angle. The yellowed waxen skin—rifled with wounds, of his throat and torso are
exposed. As I look on with a gust of a cold wind at my back, I notice chunks of flesh have been
torn from both. Maculations of crimson on leaves and the splatter of frozen blood surround his
body. But it’s the eyes of the man I’ll remember to my last days. Wide, fixed in shock, they hide
some terrifying secret only the mutilated corpse may know.–Jeffrey LeBlanc (The Curious Death of Dionysus Chennault)