Tag: horrorgram

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“Where’s…the…blood?
The music—especially that fiery jazz, the cries of laughter, and the smell of cloves and cayenne emanating from spicy foods, have kept the blood flowing in New Orleans for hundreds of years. For hundreds of years, Life has flowed down the mighty Mississippi into the dark rues, and alleys of the Quarter. And…on more than one occasion, in the city that never sleeps, a fool or the foolhardy has perished.”—Jeffrey LeBlanc (The Devil of Black Bayou (Comedic Short)

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“There was a deep soft thundering in his ears, a rosy dazzlement in his eyes. Somehow the hut appeared to expand, to change luminously about him. He hardly recognized its squalid furnishings, its litter of baleful oddments, on which a torrid splendor was shed by the black candles, tipped with ruddy fire, that towered and swelled gigantically into the softgloom His blood burned as with the throbbing flame of the candles.”—Clark Ashton Smith (Mother of Toads)

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“I’m starting my journey across the waves of time! The blood is my time machine and my portal to the dimensions beyond. I see my loving, raven-haired wife. She is bathed in the foam of sea spray and blood. Lightning flashes around us in arcs of blistering white. Lightning etches around us in emerald green, A final blast paints us in a shade of deep blue. In the moments, between light and darkness, giant pinchers have grasped Marie’s flesh pulling her below! A glowing mauve pool of slime remains. A single hand floats above the sea and then submerges into depths below.

I float back to the present lashing out at the night air. I wrestle with imaginary phantoms who lurk back into that accursed moment in time when my wife was lost to me. I curse and send a glass breaking roar as I fight the ghost of an oozing leviathan who dissipates into mist.”
–Jeffrey LeBlanc (The Devil of Black Bayou Special Edition)

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“As you know, most of us, dreaming, are, at the back of our consciousness, aware that we are dreaming. No matter how horrible the dream may become, we know that it is a dream, and thus insanity or possible death is staved off. But in this particular dream, there is no such knowledge. I tell you it is so vivid, so complete in every detail, that I wonder sometimes if that is not my real existence and this a dream! But no; for then I should have been dead years ago.”–Robert E. Howard (The Dream Snake)

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“This apartment was suffused with a faint greenish light, the source of which I could not determine, making everything distinctly visible, though nothing was sharply defined. Everything, I say, but in truth the only objects within the blank stone walls of that room were human corpses. In number they were perhaps eight or ten – it may well be understood that I did not truly count them. They were of different ages, or rather sizes, from infancy up, and of both sexes. All were prostrate on the floor, excepting one, apparently a young woman, who sat up, her back supported by an angle of the wall. A babe was clasped in the arms of another and older woman. A half-grown lad lay face downward across the legs of a full-bearded man. One or two were nearly naked, and the hand of a young girl held the fragment of a gown which she had torn open at the breast. The bodies were in various stages of decay, all greatly shrunken in face and figure. Some were but little more than skeletons.”–Ambrose Bierce (The Spook House)

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“Whimpering a little, with the hunger of a starved hound, he waited. He was a monster that nature had made, ready to obey nature’s first commandment: Thou shalt kill and eat. He was a thing of terror… a fable whispered around prehistoric cavern-fires… a miscegenation allied by later myth to the powers of hell and sorcery. But in no sense was he akin to those monsters beyond nature, the spawn of a new and blacker magic, who killed without hunger and without malevolence.”–Clark Ashton Smith (Monsters in the Night)

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I stand chilled and alone in a desolate cane field next to a dead man. His neck is twisted and bent
at an unnatural angle. The yellowed waxen skin—rifled with wounds, of his throat and torso are
exposed. As I look on with a gust of a cold wind at my back, I notice chunks of flesh have been
torn from both. Maculations of crimson on leaves and the splatter of frozen blood surround his
body. But it’s the eyes of the man I’ll remember to my last days. Wide, fixed in shock, they hide
some terrifying secret only the mutilated corpse may know.–Jeffrey LeBlanc (The Curious Death of Dionysus Chennault)

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Some of my nightmares screaming release are spiders devouring a team of researchers in an African cave; a scientist and his family slither into the swamp to encounter deadly snails; and a vampire’s curse lets the blood fly. Many more Hellish creatures are in that abyss waiting for their next victim. Conjured abominations that should never see the light of day.
Check out the collection on Amazon and Kindle. We pray “These Hallowed Horrors” keep you awake at night, looking under the bed…or over your shoulder in a moonlit forest or sea.

With these conjured verses we didn’t plan on jump scares or worn-out horror cliché. We wanted something that scares or unnerves…and different. Maybe we got it right this time. Or maybe it leaves a little something to grow on your mind down the road. As a werewolf bite, a nest of hungry spiders…or slithering slugs, in your brain.

And…as always, devilishly devoted to horror may your soul always be! -JL

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I had no weapon nor did I feel the need of any; a strong, athletic youth, I was in addition an amateur boxer of ability, with a terrific punch in either hand. Now all the primal instincts surged redly within me; I was a cave man bent on vengeance against a tribe who sought to steal a woman of my family. I did not fear–I only wished to close with them. Aye, I recognized these–I knew them of old and all the old wars rose and roared within the misty caverns of my soul. Hate leaped in me as in the old days when men of my blood came from the North. Aye, though the whole spawn of Hell rise up from those caverns which honeycomb the moors.–Robert E. Howard “The Little People”

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And each and every thing was transfigured in his vision, and in my vision—the vision he gave now to me—to the exquisite essence of itself. A wordless and eternal voice spoke from the starry veil of heaven, it sang in the wind that rushed through the broken timbers; it sighed in the flames that ate the sooted stones of the hearth.–Anne Rice (The Master of Rampling Gate)