“”Yes,” continued my friend, his eyes still fixed on the spot. “But the strange thing is that I see the body lying on the top of it. Of course,” continued Holger, turning his head on one side as artists do, “it must be an effect of light. In the first place, it is not a grave at all. Secondly, if it were, the body would be inside and not outside. Therefore, it’s an effect of the moonlight. Don’t you see it?”—Francis Marion Crawford (The Blood is the Life)

1

Long were the mansion’s mysteries, horrendous were its horrors, and vague were the details of the missing and presumed dead across the mansion grounds. For the past, and the forgetful dead had now hidden much of the sinister, and fogged the memory of the evil that had scorched the manor with a more devious name—Hell’s Forge. Jeffrey LeBlanc (Hell’s Forge)

1

“Where’s…the…blood?!
The music—especially that fiery jazz, the cries of laughter, and the aroma of cloves and cayenne kicking up spicy foods, have kept the blood flowing in New Orleans for hundreds of years. For hundreds of years, the blood—the Life, has flowed down the mighty Mississippi into the dark rues, and alleys of the Quarter. And…on more than one occasion, in the city that never sleeps, a fool or the foolhardy has perished.”—Jeffrey LeBlanc (The Devil of Black Bayou (Comedic Short)