The surviving members of the family came severally every few minutes to the casket and wept above the placid features beneath the glass. This did them no good; it did no good to John Mortonson; but in the presence of death reason and philosophy are silent.–Ambrose Bierce (John Mortonson’s Funeral)
For there be divers sorts of death—some wherein the body remaineth; and in some it vanisheth quite away with the spirit. This commonly occurreth only in solitude (such is God’s will) and, none seeing the end, we say the man is lost, or gone on a long journey—which indeed he hath; but sometimes it hath happened in sight of many, as abundant testimony showeth. In one kind of death the spirit also dieth, and this it hath been known to do while yet the body was in vigor for many years. Sometimes, as is veritably attested, it dieth with the body, but after a season is raised up again in that place where the body did decay.–Hali (Ambrose Bierce’s “An Inhabitant of Carcosa”)
“That double curve folding back on itself with the foot uplifted—was it not the dragon of the box? She wiped her eyes, blaming an overstrained nervous system, and looked again. But surely those were scales!” —Elizabeth Walter (The Tibetan Box)
“Her voice was the voice that women have,
Who plead for their heart’s desire.
She came—she came—and the quivering flame
Sunk and died in the fire.
It never was lit again on my hearth
Since I hurried across the floor,
To lift her over the threshold, and let her in at the door.”–Mary Elizabeth Coleridge (The Witch)
“Never mind the John,” I whispered raising the knife, “Just call me Jack!”–Robert Bloch (Yours Truly, Jack the Ripper)
“Where’s…the…blood?!
The music—especially that fiery jazz, the cries of laughter, and the aroma of cloves and cayenne kicking up spicy foods, have kept the blood flowing in New Orleans for hundreds of years. For hundreds of years, the blood—the Life, has flowed down the mighty Mississippi into the dark rues, and alleys of the Quarter. And…on more than one occasion, in the city that never sleeps, a fool or the foolhardy has perished.”—Jeffrey LeBlanc (The Devil of Black Bayou (Comedic Short)
“Where’s…the…blood?
The music—especially that fiery jazz, the cries of laughter, and the smell of cloves and cayenne emanating from spicy foods, have kept the blood flowing in New Orleans for hundreds of years. For hundreds of years, Life has flowed down the mighty Mississippi into the dark rues, and alleys of the Quarter. And…on more than one occasion, in the city that never sleeps, a fool or the foolhardy has perished.”—Jeffrey LeBlanc (The Devil of Black Bayou (Comedic Short)
“There was a deep soft thundering in his ears, a rosy dazzlement in his eyes. Somehow the hut appeared to expand, to change luminously about him. He hardly recognized its squalid furnishings, its litter of baleful oddments, on which a torrid splendor was shed by the black candles, tipped with ruddy fire, that towered and swelled gigantically into the softgloom His blood burned as with the throbbing flame of the candles.”—Clark Ashton Smith (Mother of Toads)
“I’m starting my journey across the waves of time! The blood is my time machine and my portal to the dimensions beyond. I see my loving, raven-haired wife. She is bathed in the foam of sea spray and blood. Lightning flashes around us in arcs of blistering white. Lightning etches around us in emerald green, A final blast paints us in a shade of deep blue. In the moments, between light and darkness, giant pinchers have grasped Marie’s flesh pulling her below! A glowing mauve pool of slime remains. A single hand floats above the sea and then submerges into depths below.
I float back to the present lashing out at the night air. I wrestle with imaginary phantoms who lurk back into that accursed moment in time when my wife was lost to me. I curse and send a glass breaking roar as I fight the ghost of an oozing leviathan who dissipates into mist.”
–Jeffrey LeBlanc (The Devil of Black Bayou Special Edition)
“As you know, most of us, dreaming, are, at the back of our consciousness, aware that we are dreaming. No matter how horrible the dream may become, we know that it is a dream, and thus insanity or possible death is staved off. But in this particular dream, there is no such knowledge. I tell you it is so vivid, so complete in every detail, that I wonder sometimes if that is not my real existence and this a dream! But no; for then I should have been dead years ago.”–Robert E. Howard (The Dream Snake)
“I hear her screams. I am in darkness.
I hear her shrieks. I am unable to act.
I hear her pleas then silence. I sob in the lightning and darkness.”–Jeffrey LeBlanc (The Devil of Black Bayou)
“This apartment was suffused with a faint greenish light, the source of which I could not determine, making everything distinctly visible, though nothing was sharply defined. Everything, I say, but in truth the only objects within the blank stone walls of that room were human corpses. In number they were perhaps eight or ten – it may well be understood that I did not truly count them. They were of different ages, or rather sizes, from infancy up, and of both sexes. All were prostrate on the floor, excepting one, apparently a young woman, who sat up, her back supported by an angle of the wall. A babe was clasped in the arms of another and older woman. A half-grown lad lay face downward across the legs of a full-bearded man. One or two were nearly naked, and the hand of a young girl held the fragment of a gown which she had torn open at the breast. The bodies were in various stages of decay, all greatly shrunken in face and figure. Some were but little more than skeletons.”–Ambrose Bierce (The Spook House)
“And, on that first winter breaker, of Grand Isle’s coldest winter…Pierre Santiny plunged into the sea and was seen no more. But none on the island will ever say he died!”–Jeffrey LeBlanc (The Mariner of Caminada Pass)
“Whimpering a little, with the hunger of a starved hound, he waited. He was a monster that nature had made, ready to obey nature’s first commandment: Thou shalt kill and eat. He was a thing of terror… a fable whispered around prehistoric cavern-fires… a miscegenation allied by later myth to the powers of hell and sorcery. But in no sense was he akin to those monsters beyond nature, the spawn of a new and blacker magic, who killed without hunger and without malevolence.”–Clark Ashton Smith (Monsters in the Night)
“I hear the roar of fire and the screams of a dying world. I smell the charring of burnt souls. I feel the icy chill of Death. I feel the heated blast of Hell.”–Brandon J Crookston (The Lore of Nocturnus)
Jeffrey LeBlanc 