HAUNTING MUSIC HORROR: ‘Dead Singer’ by Edgar Daniel Kramer
He is gone
Like the ghost of the dew on the mountain,
Like the dawn
That gleamed a red flame on the fountain.
–Edgar Daniel Kramer (Dead Singer)
He is gone
Like the ghost of the dew on the mountain,
Like the dawn
That gleamed a red flame on the fountain.
–Edgar Daniel Kramer (Dead Singer)
There are strange tales told when the full moon shines
Of voodoo nights when the ghost-things ran—
But the strangest figure among the pines
Was Kelly the conjure-man
–Robert E. Howard (Kelly the Conjure Man)
And, like his innumerable ancestors before him, the king dares not destroy the Flower, for fear that the devil, driven from its habitation, might seek a new home, and enter into the brain or body of one of the king’s subjects- or even the heart of his fairest and gentlest, and most beloved queen!—Clark Ashton Smith (The Flower-Devil)
‘There was a positively feral light in those glorious eyes, now; and that seductive mouth had ceased to be such. With lips drawn back from her teeth (queer that I had not before noticed how sharp and cruelly pointed they seemed—like fangs!)’—Kirk Mashburn (Placide’s Wife)
One morning early in May I stood before the steel safe in my bedroom, trying on the golden jewelled crown. The diamonds flashed fire as I turned to the mirror, and the heavy beaten gold burned like a halo about my head. I remembered Camilla’s agonized scream and the awful words echoing through the dim streets of Carcosa. They were the last lines in the first act, and I dared not think of what followed—dared not, even in the spring sunshine, there in my own room, surrounded with familiar objects, reassured by the bustle from the street and the voices of the servants in the hallway outside. For those poisoned words had dropped slowly into my heart, as death-sweat drops upon a bed-sheet and is absorbed. –Robert W. Chambers (The King in Yellow: The Repairer of Reputations)
‘Yes, after fifty years of law enforcement I know how hideous, cruel, and evil, people can be. Whether the Devil made them do it, who knows? How many times did I face true evil in my career? It’s hard to really say, and I have certainly lost count. And to be honest, I often do my damnedest to try and forget. I’ve heard you can only stare into darkness for so long before it stains you. Or–as in my case–it locks its claws into you, never to let go.’
—Thomas Swafford (Skinwalker)
Lost from those archangelic thrones that star,
Fadeless and fixed, heaven’s light of azure bliss;
Forbanned of all His splendor and depressed
Beyond the birth of the first sun, and lower
Than the last star’s decline, I still endure,
Abased, majestic, fallen, beautiful,
And unregretful in the doubted dark,
Throneless, that greatens chaos-ward, albeit
From chanting stars that throng the nave of night
Lost echoes wander here, and of His praise
With ringing moons for cymbals dinned afar,
And shouted from the flaming mouths of suns.–Clark Ashton Smith (Satan Unrepentant)
For my death—for death comes to us all in the end–in this hideous murk is soon. It’s the other fate, a fate worse than death, that I truly fear now. It’s inconceivable and incomprehensible to imagine that horrific fate. For should this monster I spoke of find me, I’ll be immortally frozen for all eternity—encased and alive mind you–as lifeless stone.
–Jeffrey LeBlanc (The Gorgon)
Lash me two round shot hard to my ankles;
Over the rail let me slide to the deep;
I’ll never see Bristol; the crack of a pistol
Has weighted my eyelids wi’ coming o’ sleep.
—Robert E. Howard (A Dying Pirate Speaks of Treasure)
‘We started back through the forest. We walked some distance and then night fell. We lost the brook. After a half hour’s wandering we heard it again. We started for it. The trees began to thin out and we thought we were approaching the beach. Then Waters clutched my arm. I stopped. Directly in front of us was the open space with the stone god leering under the moon and the green water shining at his feet!’ —Abraham Merrit (The Pool of the Stone God)
But deep in the seaweed-haunted halls in the green unlighted deep,
Inhuman kings await the day that shall break their chains of sleep.
And far in a grim untrodden land on a jungle-girded hill,
A pillar stands like a sign of Fate, in subtle warning still.
—Robert E. Howard (The Symbol)
Have you ever felt the tread of little feet walking across the top of your skull? Footsteps on your skull, back and forth, back and forth? —Robert Bloch (Enoch)
‘Deaf, as he would be for the rest of his days, Stewart Baker slowly glanced back. Sweat poured from his brow and mixed with the blood caked on his shirt. He half expected the colossus of the snails to roar down the trenasse in pursuit, crushing everything in its wake. He almost welcomed the death by such a terrifying beast.’
—Jeffrey LeBlanc (Island of the Giant Snail)
Apparently disembodied, or set in a face too vast for human cognizance, they burned before him in chaotic murk; Then, by degrees, he saw the other features of the sorcerer, and the details of a lurid scene; and became aware of his own situation.’
—Clark Ashton Smith (The Colossus of Ylourgne)
Thou art a symbol and a sign
To Mortals of their fate and force;
Like thee, Man is in part divine,
A troubled stream from a pure source;
And Man in portions can foresee
His own funereal destiny;
His wretchedness, and his resistance,
And his sad unallied existence:
To which his Spirit may oppose
Itself—and equal to all woes,
And a firm will, and a deep sense,
Which even in torture can descry
Its own concenter’d recompense,
Triumphant where it dares defy,
And making Death a Victory.
–Lord Byron (Prometheus)