Best Halloween Horror–Episode 25: Thomas Swafford’s “A Night in the Pumpkin Patch”
“They were rotted human eyes—the stare of a corpse, looking back at him.”
— Thomas Swafford (The Pumpkin Patch)
“They were rotted human eyes—the stare of a corpse, looking back at him.”
— Thomas Swafford (The Pumpkin Patch)
s he turned, with his back to the Frenchman, he felt the touch of cold steel against his neck and knew that a pistol muzzle was pressed close beneath the base of his brain.”
— Robert E. Howard (Rattle of Bones)
“He spake in wonder, not in fear:
“How walks a man who died?
“Friend of old times, what do ye here,
“Long fallen at my side?”
“Rise up, rise up,” Sir Richard said,
“The hounds of doom are free;
“The slayers come to take your head
“To hang on the ju-ju tree.”— Robert E. Howard (The Return of Sir Richard Grenville)
“For many years there lived near the town of Gallipolis, Ohio, an old man named Herman Deluse. Very little was known of his history, for he would neither speak of it himself nor suffer others. It was a common belief among his neighbors that he had been a pirate— if upon any better evidence than his collection of boarding pikes, cutlasses, and ancient flintlock pistols, no one knew.”— Ambrose Bierce (The Isle of Pines)
Then she began to experience what she often
thought of as her “married feeling”—the peculiar
awareness which usually denoted her husband’s unseen
entrance into a room she occupied.”— Robert Bloch (The Hungry House)
“Through long nursery nights he stood
By my bed unwearying,
Loomed gigantic, formless, queer,
Purring in my haunted ear
That same hideous nightmare thing,
Talking, as he lapped my blood,
In a voice cruel and flat,
Saying for ever, “Cat! … Cat! … Cat!”— Robert Graves(A Child’s Nightmare)
“The people of Averoigne called her La Mere des Crapauds, Mother of Toads, a name given for more than one reason. Toads swarmed innumerably about her hut; they were said to be her familiars, and dark tales were told concerning their relationship to the sorceress, and the duties they performed at her bidding.”–Clark Ashton Smith” (Mother of Toads)
It was the indignant grins of the liches that made him aware. Jovial secret jests as the cretins observed the pitter of dripping water from the funeral home’s roof onto his dead wife’s waxen face. In that callous moment with this crowd of sycophants, Roger almost turned maniacal. Grumbling in a rage, he saw the owner—Trampus Hock, run to wipe the water from her cheek. –Jeffrey LeBlanc (Hell’s Forge)
“Unquenched, unquenchable,
Around, within, thy heart shall dwell;
Nor ear can hear nor tongue can tell
The tortures of that inward hell!
But first, on earth as vampire sent,
Thy corse shall from its tomb be rent:–Lord Byron (The Vampyre)
“”Yes,” continued my friend, his eyes still fixed on the spot. “But the strange thing is that I see the body lying on the top of it. Of course,” continued Holger, turning his head on one side as artists do, “it must be an effect of light. In the first place, it is not a grave at all. Secondly, if it were, the body would be inside and not outside. Therefore, it’s an effect of the moonlight. Don’t you see it?”—Francis Marion Crawford (The Blood is the Life)
Thro’ the ghoul-guarded gateways of slumber,
Past the wan-moon’d abysses of night,
I have liv’d o’er my lives without number,
I have sounded all things with my sight;
And I struggle and shriek ere the daybreak, being driven to madness with fright.
—H.P. Lovecraft (Nemesis)
“Writhing, fighting with all he had left, Josef gasped out his question under the weight of the werewolf, “What do you mean?”–Thomas Swafford (Showing Gratitude: It’s Always Good to Demonstrate Appreciation)
“It was like something out of an apocalyptic movie. The only cars to be seen were parked. The streets were completely empty, not a person was in sight. “Has there been a disaster?” she said out loud.”—Thomas Swafford (Rubbed the Wrong Way: Put Some Thought Into Your Wish)
“And one by one we died and were lost in the dust of accumulated time. We knew the years as a passing of shadows, and death itself as the yielding of twilight unto night.”—Clark Ashton Smith (From the Crypts of Memory)
Long were the mansion’s mysteries, horrendous were its horrors, and vague were the details of the missing and presumed dead across the mansion grounds. For the past, and the forgetful dead had now hidden much of the sinister, and fogged the memory of the evil that had scorched the manor with a more devious name—Hell’s Forge. Jeffrey LeBlanc (Hell’s Forge)