Category: canadahorror

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Warm my hand lives, in the moment kind and caring
But reaching for you now, can I do so, deathly chill
For I lie beneath hallowed grave ground,
Long shall I haunt your days, and ice your spine on ghostly nights
When you plead to the Angel of Death to reap your wicked soul
My heart will beat, and the worm removes fanged lips as my life roars again,
I give you mercy—a conscience cleared; a burden lifted—reach for my chilled grasp—
My withered fingers rest on your shoulder.
—Jeffrey LeBlanc (Cold Hand)

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The Sea Witch

Part One

I

The night winds were a torrent of darkness amongst the sea and foam,

The coppery moon heaved as a haunted galleon upon golden waves to roam,

The beach trail weaved as a moonlit strand over the skull-white dunes,

And the Sea Witch came gliding—

            Gliding—gliding—

The Sea Witch came gliding, up to the druid runes.—Jeffrey LeBlanc (The Sea Witch)

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“She lighted another match, and then she found herself sitting under a beautiful Christmastree. It was larger and more beautifully decorated than the one which she had seen through the glass door at the rich merchant’s. Thousands of tapers were burning upon the green branches, and colored pictures, like those she had seen in the show-windows, looked down upon it all. The little one stretched out her hand towards them, and the match went out.”—Hans Christian Andersen (The Little Match Girl)

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I just can’t explain my apprehension going near vast forests these days. Part of it is because of an uncanny feeling—not quite dread, and not quite fear. Maybe, it’s knowing that there is something that terrifying out there. Maybe, on occasion, when I get near the forested wilderness, I can’t help that the thing or one of its kin, might be watching us. –Jeffrey LeBlanc (The Shadow on the Mountain”–Book Excerpt)

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“Into a patch of moonlight passed the figure of a young girl, looked at them as though about to stop yet thinking better of it, smiled softly, and moved on out of sight into the surrounding darkness. The moon just caught her eyes and teeth, so that they shone; the rest of her body stood in shadow; the effect was striking — almost as though head and shoulders hung alone in mid air, watching them with this shining smile, then fading away.”—Algernon Blackwood (The Singular Death of Morton)

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“Black loom the crags of the uplands behind me;

Dark are the sands of the far-stretching shore.

Dim are the pathways and rocks that remind me

Sadly of years in the lost nevermore.

Soft laps the ocean on wave-polish’d boulder;

Sweet is the sound and familiar to me.

Here, with her head gently bent to my shoulder,

Walk’d I with Unda, the Bride of the Sea.”— H.P. Lovecraft  (Unda, or The Bride of the Sea)

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“The people of Averoigne called her La Mere des Crapauds, Mother of Toads, a name given for more than one reason. Toads swarmed innumerably about her hut; they were said to be her familiars, and dark tales were told concerning their relationship to the sorceress, and the duties they performed at her bidding.”–Clark Ashton Smith” (Mother of Toads)

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It was the indignant grins of the liches that made him aware. Jovial secret jests as the cretins observed the pitter of dripping water from the funeral home’s roof onto his dead wife’s waxen face. In that callous moment with this crowd of sycophants, Roger almost turned maniacal. Grumbling in a rage, he saw the owner—Trampus Hock, run to wipe the water from her cheek. –Jeffrey LeBlanc (Hell’s Forge)