‘Now the web had filled the entire tomb. It ran and glistened with a hundred changing hues, it dripped with glories drawn from the spectrum of dissolution. It bloomed with ghostly blossoms, and foliages that grew and faded as if by necromancy. The eyes of Grotara were blinded; more and more he was meshed in the weird web. Unearthly, chill as the fingers of death, its gossamers clung and quivered upon his face and hands.’ –Clark Ashton Smith (The Weaver in the Vault)

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To feel alive with your terrified pulse pounding, to feel the warm embrace of love, to have your teeth chatter with fear, the stomach quivering nausea of dread, or the blinding throes of rage, is what I offer with this collection. These horror poems I share with you have blazed the flames brightly to inspire me to create the most ghastly of horror tales and the most powerful of rock songs to date. You’re going to know my soul crushing angst in ‘Blood in the Pouring Rain’ as I saved my father’s life. You’ll look over your shoulder a glance or two maybe with a tear hearing the haunting ‘Sarah the Eternal’. And maybe you will laugh and howl along with ‘Ghost on Christmas Mountain’ to lift your spirits.

“Yes,” continued my friend, his eyes still fixed on the spot.
“But the strange thing is that I see the body lying on the top
of it. Of course,” continued Holger, turning his head on one
side as artists do, “it must be an effect of light. In the first
place, it is not a grave at all. Secondly, if it were, the body
would be inside and not outside. Therefore, it’s an effect of
the moonlight. Don’t you see it?”
“Perfectly; I always see it on moonlight nights.” –Francis Marion Crawford (For the Blood is the Life)