Category: allhallowseve

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“Yes,” continued my friend, his eyes still fixed on the spot.
“But the strange thing is that I see the body lying on the top
of it. Of course,” continued Holger, turning his head on one
side as artists do, “it must be an effect of light. In the first
place, it is not a grave at all. Secondly, if it were, the body
would be inside and not outside. Therefore, it’s an effect of
the moonlight. Don’t you see it?”
“Perfectly; I always see it on moonlight nights.” –Francis Marion Crawford (For the Blood is the Life)

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Away with us he’s going,
The solemn-eyed:
He’ll hear no more the lowing
Of the calves on the warm hillside
Or the kettle on the hob
Sing peace into his breast,
Or see the brown mice bob
Round and round the oatmeal chest.
For he comes, the human child,
To the waters and the wild
With a faery, hand in hand,
For the world’s more full of weeping than he can understand.–William Butler Yeats (The Stolen Child)

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‘It’s not the kind of story that the columnists like to print; it’s not the yarn press-agents love to tell. When I was still in the Public Relations Department at the studio, they wouldn’t let me break it. I knew better than to try, for no paper would print such a tale. We publicity men must present Hollywood as a gay place; a world of glamor and star-dust. We capture only the light, but underneath the light there must always be shadows. I’ve always known that—it’s been my job to gloss over those shadows for years—but the events of which I speak from a disturbing pattern too strange to be withheld. The shadow of these incidents is not human.’

—Robert Bloch (Return to the Sabbath)

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“John you heard that fucking maniac. He said ‘I’m no man, Sheriff Hughes, as you might have suspected. I’m a cursed dog destined to screw up and kill everything that ever loved me or would love me.” I rubbed my left temple and paused looking at the blood—Two Horse’s blood—dried on my hand. “I wonder if all these things Two Horse believes in—evil spirits, black magic, skinwalkers, and of course demons, could be worse than him?”–Thomas Swafford (Skinwalker-CHAPTER 3)

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What the devil was wrong with him, anyway? Henderson smiled apologetically at the empty darkness. This was the smell of the costumer’s shop, and it carried him back to college days of amateur theatricals. Henderson hiad known this smell of moth balls, decayed furs, grease paint aind oils. He had played amateur Hamlet and in his hands he had held a smirking skull that hid all knowledge in its empty eyes—a skull, from the costumer’s. –Robert Bloch (The Cloak)