“”Yes,” continued my friend, his eyes still fixed on the spot. “But the strange thing is that I see the body lying on the top of it. Of course,” continued Holger, turning his head on one side as artists do, “it must be an effect of light. In the first place, it is not a grave at all. Secondly, if it were, the body would be inside and not outside. Therefore, it’s an effect of the moonlight. Don’t you see it?”—Francis Marion Crawford (The Blood is the Life)

2

“The man repeated the names slowly and distinctly, as if to fix them in the memories of his audience, every member of which was now attentively observing him, but with a slackened apprehension regarding his possible companions somewhere in the darkness that seemed to enclose us like a black wall; in the manner of this volunteer historian was no suggestion of an unfriendly purpose.”—Ambrose Bierce (The Stranger)

1

Long were the mansion’s mysteries, horrendous were its horrors, and vague were the details of the missing and presumed dead across the mansion grounds. For the past, and the forgetful dead had now hidden much of the sinister, and fogged the memory of the evil that had scorched the manor with a more devious name—Hell’s Forge. Jeffrey LeBlanc (Hell’s Forge)