1

“Child’s play,” he muttered, and looked wearily, longingly at me,—as if I could answer such questions! But Jack Scott came in and entered into the “game,” as he called it, with ardour. Nothing would do but to try the experiment on the white rabbit then and there. I was willing that Boris should find distraction from his cares, but I hated to see the life go out of a warm, living creature and I declined to be present. Picking up a book at random, I sat down in the studio to read. Alas! I had found The King in Yellow.’–Robert W. Chambers (The King in Yellow: The Mask)

1

Sometimes an Appalachian story is so humanistic, so brutal, and horrific, that its very existence is terrifying. We can’t believe such a tale has been allowed to fester and erupt like a malignant, rotting boil. Yarns like the one I’m about to spin, are the hideous tales whispered in the shadows and taken to the grave. But sometimes the tale, like the undead, rise up to haunt us again, and again for all eternity. And some of us have just meager years left to be terrified in each of our own haunted worlds. Alas, cold in the ground with the Conqueror Worm our only friend, we may continue to be tormented by the ghosts—or demons—of our past. –JL (In the Beginning)

1

Three hours later, long after the compound computer system cleaned away the remnants of Gerald and Robert, Trevor sat and sipped his fourth glass of a thousand-year Appleton rum. He looked out on the silver shimmer of the winding river with glossy, drunken eyes. Inebriated with his thoughts swirling, he caught glimpses of a pack of werewolves running in the shadows of the redlit forest. Then he cast a somber glance up to the crimson moon of Lunaris. He watched the molten scarlet swirl as the moon continued its climb across the heavens. –Jeffrey LeBlanc (Crimson Moon)

2

Black Lord of bale and fear, master of all confusion!
By thee, thy prophet saith,
New power is given to wizards after death,
And witches in corruption draw forbidden breath
And weave such wild enchantment and illusion
As none but lamiae may use;
And through thy grace the charneled corpses lose
Their horror, and nefandous loves are lighted
In noisome vaults long nighted;
And vampires make their sacrifice to thee —
Disgorging blood as if great urns had poured
Their bright vermilion hoard
About the washed and weltering sarcophagi.
— Ludar’s Litany to Thasaidon.

2

“The entity which rested on that stone bench was like something that had crawled up out of hell. Piercing, malignant red eyes proclaimed that it had a terrible life, and yet that life sustained itself in a black, shrunken, half-mummified body which resembled a disinterred corpse. A few mouldy rags clung to the cadaver-like frame. Wisps of white hair sprouted out of its ghastly grey-white skull. A red smear or blotch of some sort covered the wizened slit which served it as a mouth.”—Joseph Payne Brennan (The Horror At Chilton Castle)

“”Yes,” continued my friend, his eyes still fixed on the spot. “But the strange thing is that I see the body lying on the top of it. Of course,” continued Holger, turning his head on one side as artists do, “it must be an effect of light. In the first place, it is not a grave at all. Secondly, if it were, the body would be inside and not outside. Therefore, it’s an effect of the moonlight. Don’t you see it?”—Francis Marion Crawford (The Blood is the Life)