2

“The man repeated the names slowly and distinctly, as if to fix them in the memories of his audience, every member of which was now attentively observing him, but with a slackened apprehension regarding his possible companions somewhere in the darkness that seemed to enclose us like a black wall; in the manner of this volunteer historian was no suggestion of an unfriendly purpose.”—Ambrose Bierce (The Stranger)

1

Long were the mansion’s mysteries, horrendous were its horrors, and vague were the details of the missing and presumed dead across the mansion grounds. For the past, and the forgetful dead had now hidden much of the sinister, and fogged the memory of the evil that had scorched the manor with a more devious name—Hell’s Forge. Jeffrey LeBlanc (Hell’s Forge)

1

For there be divers sorts of death—some wherein the body remaineth; and in some it vanisheth quite away with the spirit. This commonly occurreth only in solitude (such is God’s will) and, none seeing the end, we say the man is lost, or gone on a long journey—which indeed he hath; but sometimes it hath happened in sight of many, as abundant testimony showeth. In one kind of death the spirit also dieth, and this it hath been known to do while yet the body was in vigor for many years. Sometimes, as is veritably attested, it dieth with the body, but after a season is raised up again in that place where the body did decay.–Hali (Ambrose Bierce’s “An Inhabitant of Carcosa”)

1

“Where’s…the…blood?!
The music—especially that fiery jazz, the cries of laughter, and the aroma of cloves and cayenne kicking up spicy foods, have kept the blood flowing in New Orleans for hundreds of years. For hundreds of years, the blood—the Life, has flowed down the mighty Mississippi into the dark rues, and alleys of the Quarter. And…on more than one occasion, in the city that never sleeps, a fool or the foolhardy has perished.”—Jeffrey LeBlanc (The Devil of Black Bayou (Comedic Short)