“Yes,” continued my friend, his eyes still fixed on the spot.
“But the strange thing is that I see the body lying on the top
of it. Of course,” continued Holger, turning his head on one
side as artists do, “it must be an effect of light. In the first
place, it is not a grave at all. Secondly, if it were, the body
would be inside and not outside. Therefore, it’s an effect of
the moonlight. Don’t you see it?”
“Perfectly; I always see it on moonlight nights.” –Francis Marion Crawford (For the Blood is the Life)

2

“It was the eyes that grew dim. Little by little he came to know that some day the dream would not end when he turned away to go home, but would lead him down the gorge out of which the vision rose. She was nearer now when she beckoned to him. Her cheeks were not livid like those of the dead, but pale with starvation, with the furious and unappeased physical hunger of her eyes that devoured him. They feasted on his soul and cast a spell over him, and at last they were close to his own and held him. He could not tell whether her breath was as hot as fire or as cold as ice; he could not tell whether her red lips burned his or froze them, or whether her five fingers on his wrists seared scorching scars or bit his flesh like frost; he could not tell whether he was awake or asleep, whether she was alive or dead, but he knew that she loved him, she alone of all creatures, earthly or unearthly, and her spell had power over him.”–Francis Marion Crawford (For the Blood is the Life)