And human heads, many of them, scattered about like an assembly of mocking, dead-alive faces, leering at him, watching him with hellish anticipation. The place was a morgue—a charnel house!”–Hugh B. Cave (Stragella)
“They were rotted human eyes—the stare of a corpse, looking back at him.”
— Thomas Swafford (The Pumpkin Patch)
“I know always that I am an outsider; a stranger in this century and among those who are still men.”— H.P. Lovecraft (The Survivor)
“Be silent in that solitude,
Which is not loneliness—for then
The spirits of the dead who stood
In life before thee are again
In death around thee—and their will
Shall overshadow thee: be still.”— Edgar Allan Poe (Spirits of the Dead)
“I don’t think you were wise to do that,” he said reflectively. “I’ve heard it said that the Wood Gods are rather horrible to those who molest them.”
“Horrible perhaps to those that believe in them, but you see I don’t,” retorted Sylvia.
— Saki (The Music on the Hill)
“Rip and claw flesh and hair,
Gnaw the bones, lap the blood without care,
Moonlight in the cold dark gloom,
Illuminates the black stones of tombs,
Down in the hollow, night winds howl,
Stalk bestial in darkness with the owl,—Jeffrey LeBlanc (Cry of the Werewolf)
s he turned, with his back to the Frenchman, he felt the touch of cold steel against his neck and knew that a pistol muzzle was pressed close beneath the base of his brain.”
— Robert E. Howard (Rattle of Bones)
“He spake in wonder, not in fear:
“How walks a man who died?
“Friend of old times, what do ye here,
“Long fallen at my side?”
“Rise up, rise up,” Sir Richard said,
“The hounds of doom are free;
“The slayers come to take your head
“To hang on the ju-ju tree.”— Robert E. Howard (The Return of Sir Richard Grenville)
Then she began to experience what she often
thought of as her “married feeling”—the peculiar
awareness which usually denoted her husband’s unseen
entrance into a room she occupied.”— Robert Bloch (The Hungry House)
“Through long nursery nights he stood
By my bed unwearying,
Loomed gigantic, formless, queer,
Purring in my haunted ear
That same hideous nightmare thing,
Talking, as he lapped my blood,
In a voice cruel and flat,
Saying for ever, “Cat! … Cat! … Cat!”— Robert Graves(A Child’s Nightmare)
“The people of Averoigne called her La Mere des Crapauds, Mother of Toads, a name given for more than one reason. Toads swarmed innumerably about her hut; they were said to be her familiars, and dark tales were told concerning their relationship to the sorceress, and the duties they performed at her bidding.”–Clark Ashton Smith” (Mother of Toads)
“Men fled before the flying twain or shrank with bated breath,
And they saw on the face of Adam Brand the seal set there by death.
He reeled on buckling legs that failed, yet on and on he fled;
So through the shuddering market-place, the dying fled the dead.”–Robert E. Howard (Dead Man’s Hate)
“The sun was dying, and its blood spattered the sky as it crept into its sepulcher behind the hills. The keening wind sent the dry, fallen leaves scurrying toward the west, as though hastening them to the funeral of the sun.
“Nuts!” said Henderson to himself, and stopped thinking.”–Robert Bloch (The Cloak)
“The disease had sharpened my senses, not destroyed, not dulled them. Above all was the sense of hearing acute.” “They who dream by day are cognizant of many things which escape those who dream only by night.” “I smiled,—for what had I to fear?”—Edgar Allan Poe (The Tell-Tale Heart)
“”Yes,” continued my friend, his eyes still fixed on the spot. “But the strange thing is that I see the body lying on the top of it. Of course,” continued Holger, turning his head on one side as artists do, “it must be an effect of light. In the first place, it is not a grave at all. Secondly, if it were, the body would be inside and not outside. Therefore, it’s an effect of the moonlight. Don’t you see it?”—Francis Marion Crawford (The Blood is the Life)
Jeffrey LeBlanc 