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The screams, that fourteenth night, continued until dawn. They were totally unlike any sounds in my experience. Impossible to believe they could be uttered and sustained by a human, yet they did not seem to be animal. I listened, there in the gloom, my hands balled into fists, and knew, suddenly, that one of two things must be true. Either someone or something was making these ghastly sounds, and Brother Christophorus was lying, or–I was going mad. Hearing-voices mad, climbing-walls and frothing mad. I’d have to find the answer: that I knew. And by myself.
–Charles Beaumont (THE HOWLING MAN)

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Dim, dubious, bat-like creatures seemed to be flitting to and fro between one of the stone vats and the group that toiled like sculptors, clothing the bony foot with a reddish plasm which they applied and moulded like so much clay. Gaspard thought, but was not certain later, that this plasm, which gleamed as if with mingled blood and fire, was being brought from the rosy-litten vat in vessels borne by the claws of the shadowy flying creatures. None of them, however, approached the other vat, whose wannish light was momently enfeebled, as if it were dying down. –Clark Ashton Smith (The Colossus of Ylourgne)

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To feel alive with your terrified pulse pounding, to feel the warm embrace of love, to have your teeth chatter with fear, the stomach quivering nausea of dread, or the blinding throes of rage, is what I offer with this collection. These horror poems I share with you have blazed the flames brightly to inspire me to create the most ghastly of horror tales and the most powerful of rock songs to date. You’re going to know my soul crushing angst in ‘Blood in the Pouring Rain’ as I saved my father’s life. You’ll look over your shoulder a glance or two maybe with a tear hearing the haunting ‘Sarah the Eternal’. And maybe you will laugh and howl along with ‘Ghost on Christmas Mountain’ to lift your spirits.

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She took me to her elfin grot,

And there she gaz’d and sighed deep,

And there I shut her wild sad eyes So kiss’d to sleep.

And there we slumber’d on the moss,

And there I dream’d, ah woe betide!—

The latest dream I ever dream’d On the cold hill side.’ –John Keats (La Belle Dame Sans Merci)