HALLOWEEN CELEBRATION 2025–Day NINE: ‘Wandering Oscar’ by Stephen Sinclair
‘His name was Wandering Oscar, and he was a skeleton.’
–Stephen Sinclair (Wandering Oscar)
‘His name was Wandering Oscar, and he was a skeleton.’
–Stephen Sinclair (Wandering Oscar)
‘Again the withered hag poured forth the monotonous words of a prayer that was not meant to be acceptable in Heaven; and soon, in the pauses of her breath, strange murmurings began to thicken, gradually increasing so as to drown and overpower the charm by which they grew. Shrieks pierced through the obscurity of sound, and were succeeded by the singing of sweet female voices, which in their turn gave way to a wild roar of laughter, broken suddenly by groanings and sobs, forming altogether a ghastly confusion of terror and mourning and mirth.’
–NATHANIEL HAWTHORNE (The Hollow of the Three Hills)
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“Yes,” continued my friend, his eyes still fixed on the spot.
“But the strange thing is that I see the body lying on the top
of it. Of course,” continued Holger, turning his head on one
side as artists do, “it must be an effect of light. In the first
place, it is not a grave at all. Secondly, if it were, the body
would be inside and not outside. Therefore, it’s an effect of
the moonlight. Don’t you see it?”
“Perfectly; I always see it on moonlight nights.” –Francis Marion Crawford (For the Blood is the Life)
‘Forget the John. Just call me, Jack.’—Robert Bloch (Yours Truly, Jack the Ripper)
‘It’s not the kind of story that the columnists like to print; it’s not the yarn press-agents love to tell. When I was still in the Public Relations Department at the studio, they wouldn’t let me break it. I knew better than to try, for no paper would print such a tale. We publicity men must present Hollywood as a gay place; a world of glamor and star-dust. We capture only the light, but underneath the light there must always be shadows. I’ve always known that—it’s been my job to gloss over those shadows for years—but the events of which I speak from a disturbing pattern too strange to be withheld. The shadow of these incidents is not human.’
—Robert Bloch (Return to the Sabbath)
I had no weapon nor did I feel the need of any; a strong, athletic youth, I was in addition an amateur boxer of ability, with a terrific punch in either hand. Now all the primal instincts surged redly within me; I was a cave man bent on vengeance against a tribe who sought to steal a woman of my family. I did not fear–I only wished to close with them. Aye, I recognized these–I knew them of old and all the old wars rose and roared within the misty caverns of my soul. Hate leaped in me as in the old days when men of my blood came from the North. Aye, though the whole spawn of Hell rise up from those caverns which honeycomb the moors.–Robert E. Howard “The Little People”
“And how is it with your views of a future life?” inquired the speculative clergyman.
“Worse than with you,” said the old man, in a hollow and feeble tone; “for I cannot conceive it earnestly enough to feel either hope or fear. Mine,—mine is the wretchedness! This cold heart,—this unreal life! Ah! it grows colder still.”
It so chanced that at this juncture the decayed ligaments of the skeleton gave way, and the dry hones fell together in a heap, thus causing the dusty wreath of cypress to drop upon the table. The attention of the company being thus diverted for a single instant from Gervayse Hastings, they perceived, on turning again towards him, that the old man had undergone a change. His shadow had ceased to flicker on the wall.–Nathaniel Hawthorne (The Christmas Banquet)
“It was the eyes that grew dim. Little by little he came to know that some day the dream would not end when he turned away to go home, but would lead him down the gorge out of which the vision rose. She was nearer now when she beckoned to him. Her cheeks were not livid like those of the dead, but pale with starvation, with the furious and unappeased physical hunger of her eyes that devoured him. They feasted on his soul and cast a spell over him, and at last they were close to his own and held him. He could not tell whether her breath was as hot as fire or as cold as ice; he could not tell whether her red lips burned his or froze them, or whether her five fingers on his wrists seared scorching scars or bit his flesh like frost; he could not tell whether he was awake or asleep, whether she was alive or dead, but he knew that she loved him, she alone of all creatures, earthly or unearthly, and her spell had power over him.”–Francis Marion Crawford (For the Blood is the Life)
“Come away, O human child!
To the waters and the wild
With a faery, hand in hand,
For the world’s more full of weeping than you can understand.”–William Butler Yeats (The Stolen Child)
“By a route obscure and lonely,
Haunted by ill angels only,
Where an Eidolon, named NIGHT,
On a black throne reigns upright,
I have wandered home but newly
From this ultimate dim Thule.”–Edgar Allan Poe (Dream-Land)
#bestwerewolfstories #robertehoward #werewolf #hwa #horrorwriting #writingcommunity #authortube #booktube #instahorror #horrorgram #horror #wolfman #demontour “FEAR? Your pardon, Messieurs, but the meaning of fear you do not know. No, I hold to my statement. You are soldiers, adventurers. You have known the charges of regiments of dragoons, the frenzy of wind-lashed seas. But fear, real hair-raising, horror-crawling […]
“And now, the golden one was gone and in its place was the bloated, swollen obscenity of a thing long-drowned and dead, risen from the slime and to that slime returning.” Edgar Allan Poe & Robert Bloch (The Lighthouse)
Oh, soul of mine, born out of shadowed hills,
To clouds and winds and ghosts that shun the sun,
How many deaths shall serve to break at last
This heritage which wraps me in the gray
Apparel of ghosts? I search my heart and find
Cimmeria, land of Darkness and the Night.–Robert E. Howard (Cimmeria)