HIS voice came to us again. He said, at first, that he saw nothing in the abyss below him. Then he gasped, swayed, and almost lost his balance. We could see the sweat standing out on his brow and neck, soaking his blue shirt. There were things in the abyss, he said in hoarse tones, great shapes that were like blobs of utter blackness, yet which he knew to be alive. From the central masses of their beings he could see them shoot forth incredibly long, filamentine tentacles. They moved themselves forward and backward — horizontally, but could not move vertically, it seemed. They were, he thought, nothing but living shadows.
Robert A.W. Lowndes (THE ABYSS)

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To feel alive with your terrified pulse pounding, to feel the warm embrace of love, to have your teeth chatter with fear, the stomach quivering nausea of dread, or the blinding throes of rage, is what I offer with this collection. These horror poems I share with you have blazed the flames brightly to inspire me to create the most ghastly of horror tales and the most powerful of rock songs to date. You’re going to know my soul crushing angst in ‘Blood in the Pouring Rain’ as I saved my father’s life. You’ll look over your shoulder a glance or two maybe with a tear hearing the haunting ‘Sarah the Eternal’. And maybe you will laugh and howl along with ‘Ghost on Christmas Mountain’ to lift your spirits.

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She took me to her elfin grot,

And there she gaz’d and sighed deep,

And there I shut her wild sad eyes So kiss’d to sleep.

And there we slumber’d on the moss,

And there I dream’d, ah woe betide!—

The latest dream I ever dream’d On the cold hill side.’ –John Keats (La Belle Dame Sans Merci)