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‘We lay, my love and I

Beneath the weeping willow

But now alone I lie

And weep beside the tree

Singing “Oh willow waly”

By the tree that weeps with me

Singing “Oh willow waly”

Till my lover returns to me

We lay, my love and I

Beneath the weeping willow

But now alone I lie

Oh willow I die

Oh willow I die…’

—George Auric & Paul Dehn (O Willow Waly)

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“Child’s play,” he muttered, and looked wearily, longingly at me,—as if I could answer such questions! But Jack Scott came in and entered into the “game,” as he called it, with ardour. Nothing would do but to try the experiment on the white rabbit then and there. I was willing that Boris should find distraction from his cares, but I hated to see the life go out of a warm, living creature and I declined to be present. Picking up a book at random, I sat down in the studio to read. Alas! I had found The King in Yellow.’–Robert W. Chambers (The King in Yellow: The Mask)