1

“I’m starting my journey across the waves of time! The blood is my time machine and my portal to the dimensions beyond. I see my loving, raven-haired wife. She is bathed in the foam of sea spray and blood. Lightning flashes around us in arcs of blistering white. Lightning etches around us in emerald green, A final blast paints us in a shade of deep blue. In the moments, between light and darkness, giant pinchers have grasped Marie’s flesh pulling her below! A glowing mauve pool of slime remains. A single hand floats above the sea and then submerges into depths below.

I float back to the present lashing out at the night air. I wrestle with imaginary phantoms who lurk back into that accursed moment in time when my wife was lost to me. I curse and send a glass breaking roar as I fight the ghost of an oozing leviathan who dissipates into mist.”
–Jeffrey LeBlanc (The Devil of Black Bayou Special Edition)

1

“This apartment was suffused with a faint greenish light, the source of which I could not determine, making everything distinctly visible, though nothing was sharply defined. Everything, I say, but in truth the only objects within the blank stone walls of that room were human corpses. In number they were perhaps eight or ten – it may well be understood that I did not truly count them. They were of different ages, or rather sizes, from infancy up, and of both sexes. All were prostrate on the floor, excepting one, apparently a young woman, who sat up, her back supported by an angle of the wall. A babe was clasped in the arms of another and older woman. A half-grown lad lay face downward across the legs of a full-bearded man. One or two were nearly naked, and the hand of a young girl held the fragment of a gown which she had torn open at the breast. The bodies were in various stages of decay, all greatly shrunken in face and figure. Some were but little more than skeletons.”–Ambrose Bierce (The Spook House)

1

I stand chilled and alone in a desolate cane field next to a dead man. His neck is twisted and bent
at an unnatural angle. The yellowed waxen skin—rifled with wounds, of his throat and torso are
exposed. As I look on with a gust of a cold wind at my back, I notice chunks of flesh have been
torn from both. Maculations of crimson on leaves and the splatter of frozen blood surround his
body. But it’s the eyes of the man I’ll remember to my last days. Wide, fixed in shock, they hide
some terrifying secret only the mutilated corpse may know.–Jeffrey LeBlanc (The Curious Death of Dionysus Chennault)

1

“Couldn’t eat or drink a thing,” cried the other. ” Good Lord, don’t you see, man, I want to talk to someone first? I want to get it out of me to someone who can answer—answer. I’ve had nothing but trees to talk with for three days, and I can’t carry it alone any longer. Those cursed, silent trees—I’ve told it ’em a thousand times. Now, just see here, it was this way. When we started out from camp——”(Algernon Blackwood “Skeleton Lake: An Episode in Camp”

1

“And how is it with your views of a future life?” inquired the speculative clergyman.

“Worse than with you,” said the old man, in a hollow and feeble tone; “for I cannot conceive it earnestly enough to feel either hope or fear. Mine,—mine is the wretchedness! This cold heart,—this unreal life! Ah! it grows colder still.”

It so chanced that at this juncture the decayed ligaments of the skeleton gave way, and the dry hones fell together in a heap, thus causing the dusty wreath of cypress to drop upon the table. The attention of the company being thus diverted for a single instant from Gervayse Hastings, they perceived, on turning again towards him, that the old man had undergone a change. His shadow had ceased to flicker on the wall.–Nathaniel Hawthorne (The Christmas Banquet)

2

“For many years there lived near the town of Gallipolis, Ohio, an old man named Herman Deluse. Very little was known of his history, for he would neither speak of it himself nor suffer others. It was a common belief among his neighbors that he had been a pirate— if upon any better evidence than his collection of boarding pikes, cutlasses, and ancient flintlock pistols, no one knew. He lived entirely alone in a small house of four rooms, falling rapidly into decay and never repaired further than was required by the weather. It stood on a slight elevation in the midst of a large, stony field overgrown with brambles, and cultivated in patches and only in the most primitive way. It was his only visible property, but could hardly have yielded him a living, simple and few as were his wants. He seemed always to have ready money, and paid cash for all his purchases at the village stores roundabout, seldom buying more than two or three times at the same place until after the lapse of a considerable time. He got no commendation, however, for this equitable distribution of his patronage; people were disposed to regard it as an ineffectual attempt to conceal his possession of so much money. That he had great hoards of ill-gotten gold buried somewhere about his tumble-down dwelling was not reasonably to be doubted by any honest soul conversant with the facts of local tradition and gifted with a sense of the fitness of things.”-Ambrose Bierce (The Isle of Pines)

2

“It was the eyes that grew dim. Little by little he came to know that some day the dream would not end when he turned away to go home, but would lead him down the gorge out of which the vision rose. She was nearer now when she beckoned to him. Her cheeks were not livid like those of the dead, but pale with starvation, with the furious and unappeased physical hunger of her eyes that devoured him. They feasted on his soul and cast a spell over him, and at last they were close to his own and held him. He could not tell whether her breath was as hot as fire or as cold as ice; he could not tell whether her red lips burned his or froze them, or whether her five fingers on his wrists seared scorching scars or bit his flesh like frost; he could not tell whether he was awake or asleep, whether she was alive or dead, but he knew that she loved him, she alone of all creatures, earthly or unearthly, and her spell had power over him.”–Francis Marion Crawford (For the Blood is the Life)

2

“The corridor to Comsos House twisted, as did nearly all corridors in Big Magnet, and Powell stood at the entrance again. But they heard, rather muffled, McReady’s sudden shout. There was a savage flurry of blows, dull ch-thunk—shluff sounds. “Bar—Bar—for God’s sake—”And a curious, savage mewing scream, silenced before even Powell had reached the bend.”–John W. Campbell (Frozen Hell)