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‘The transference of emotion is a phenomenon so common, so constantly witnessed, that mankind in general have long ceased to be conscious of its existence, as a thing worth our wonder or consideration, regarding it as being as natural and commonplace as the transference of things that act by the ascertained laws of matter. Nobody, for instance, is surprised, if, when the room is too hot, the opening of a window causes the cold fresh air of outside to be transferred into the room, and in the same way no one is surprised when into the same room, perhaps, which we will imagine as being peopled with dull and gloomy persons, there enters some one of fresh and sunny mind, who instantly brings into the stuffy mental atmosphere a change analogous to that of the opened windows.

–E.F. Benson (THE TERROR BY NIGHT)

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Dim, dubious, bat-like creatures seemed to be flitting to and fro between one of the stone vats and the group that toiled like sculptors, clothing the bony foot with a reddish plasm which they applied and moulded like so much clay. Gaspard thought, but was not certain later, that this plasm, which gleamed as if with mingled blood and fire, was being brought from the rosy-litten vat in vessels borne by the claws of the shadowy flying creatures. None of them, however, approached the other vat, whose wannish light was momently enfeebled, as if it were dying down. –Clark Ashton Smith (The Colossus of Ylourgne)

‘Now the web had filled the entire tomb. It ran and glistened with a hundred changing hues, it dripped with glories drawn from the spectrum of dissolution. It bloomed with ghostly blossoms, and foliages that grew and faded as if by necromancy. The eyes of Grotara were blinded; more and more he was meshed in the weird web. Unearthly, chill as the fingers of death, its gossamers clung and quivered upon his face and hands.’ –Clark Ashton Smith (The Weaver in the Vault)