“Unquenched, unquenchable,
Around, within, thy heart shall dwell;
Nor ear can hear nor tongue can tell
The tortures of that inward hell!
But first, on earth as vampire sent,
Thy corse shall from its tomb be rent:–Lord Byron (The Vampyre)
I had a dream, which was not all a dream.
The bright sun was extinguish’d, and the stars
Did wander darkling in the eternal space,
Rayless, and pathless, and the icy earth
Swung blind and blackening in the moonless air;–Lord Byron (Darkness)
“It was like something out of an apocalyptic movie. The only cars to be seen were parked. The streets were completely empty, not a person was in sight. “Has there been a disaster?” she said out loud.”—Thomas Swafford (Rubbed the Wrong Way: Put Some Thought Into Your Wish)
“The man repeated the names slowly and distinctly, as if to fix them in the memories of his audience, every member of which was now attentively observing him, but with a slackened apprehension regarding his possible companions somewhere in the darkness that seemed to enclose us like a black wall; in the manner of this volunteer historian was no suggestion of an unfriendly purpose.”—Ambrose Bierce (The Stranger)
Long were the mansion’s mysteries, horrendous were its horrors, and vague were the details of the missing and presumed dead across the mansion grounds. For the past, and the forgetful dead had now hidden much of the sinister, and fogged the memory of the evil that had scorched the manor with a more devious name—Hell’s Forge. Jeffrey LeBlanc (Hell’s Forge)
The ascending succession of horror was fast paralyzing my will and consciousness, for the eyes that now glared toward me from that hellish head were the grey phosphorescent eyes of my host as they had peered at me through the darkness of the kitchen. —C.M. Eddy & H.P. Lovecraft (The Ghost-Eater)
For there be divers sorts of death—some wherein the body remaineth; and in some it vanisheth quite away with the spirit. This commonly occurreth only in solitude (such is God’s will) and, none seeing the end, we say the man is lost, or gone on a long journey—which indeed he hath; but sometimes it hath happened in sight of many, as abundant testimony showeth. In one kind of death the spirit also dieth, and this it hath been known to do while yet the body was in vigor for many years. Sometimes, as is veritably attested, it dieth with the body, but after a season is raised up again in that place where the body did decay.–Hali (Ambrose Bierce’s “An Inhabitant of Carcosa”)
“Thunder shook the ground and thunder shook my heart,
But no storm cloud was above to make the heavens part
Then I saw the nightmarish monstrosity–a creature stride cross my path
Lumbering as an oak, creaking as the pines with two legs it hath.”
—Jeffrey LeBlanc (The Shadow on the Mountain)
“Where’s…the…blood?!
The music—especially that fiery jazz, the cries of laughter, and the aroma of cloves and cayenne kicking up spicy foods, have kept the blood flowing in New Orleans for hundreds of years. For hundreds of years, the blood—the Life, has flowed down the mighty Mississippi into the dark rues, and alleys of the Quarter. And…on more than one occasion, in the city that never sleeps, a fool or the foolhardy has perished.”—Jeffrey LeBlanc (The Devil of Black Bayou (Comedic Short)
“Where’s…the…blood?
The music—especially that fiery jazz, the cries of laughter, and the smell of cloves and cayenne emanating from spicy foods, have kept the blood flowing in New Orleans for hundreds of years. For hundreds of years, Life has flowed down the mighty Mississippi into the dark rues, and alleys of the Quarter. And…on more than one occasion, in the city that never sleeps, a fool or the foolhardy has perished.”—Jeffrey LeBlanc (The Devil of Black Bayou (Comedic Short)
“My name would mean nothing to you. As for the shop, let us say that it exists spatially and temporally as I do—when and where necessary for my purposes.”—Robert Bloch (A Most Unusual Murder)
“There was a deep soft thundering in his ears, a rosy dazzlement in his eyes. Somehow the hut appeared to expand, to change luminously about him. He hardly recognized its squalid furnishings, its litter of baleful oddments, on which a torrid splendor was shed by the black candles, tipped with ruddy fire, that towered and swelled gigantically into the softgloom His blood burned as with the throbbing flame of the candles.”—Clark Ashton Smith (Mother of Toads)
“Well, when he hopped over the fence, the bag caught on the top strand of wire and fell back in the parking lot. I picked it up later and what do you suppose I found inside?’
“I have no idea” I told him. “Don’t keep me in suspense!”
“Dirt!” He answered. “Just plain dirt. Earth dirt.”—Joseph Payne Brennan (Who Was He?)
“Omar Khayyam was right: Hell is the reflection of a soul burning.”–John H. Green (Seven Men in a Tank)
“And the Latin was replaced by an older tongue, ancient when Egypt was young and the Pyramids built, ancient when this Earth still hung in an unformed, boiling firmament of empty gas: “Gyyagin vardar Yogsoggoth! Verminis! Gyyagin! Gyyagin! Gyyagin!”–Stephen King (Jerusalem’s Lot)
Jeffrey LeBlanc 