1

She took me to her elfin grot,

And there she gaz’d and sighed deep,

And there I shut her wild sad eyes So kiss’d to sleep.

And there we slumber’d on the moss,

And there I dream’d, ah woe betide!—

The latest dream I ever dream’d On the cold hill side.’ –John Keats (La Belle Dame Sans Merci)

1

Here they were: the drunks and the sinners, the gambling men
and the grifters, the big-time spenders, the skirt chasers, and all
the jolly crew. They knew where they were going, of course, but
they didn’t seem to be particularly concerned at the moment.
The blinds were drawn on the windows, yet it was light inside,
and they were all sitting around and singing and passing the
bottle and laughing it up, telling their jokes and bragging their
brags, just the way Daddy used to sing about them in the old
song.
“Mighty nice traveling companions,” Martin said. “Why, I’ve
never seen such a pleasant bunch of people. I mean, they seem
to be really enjoying themselves!”
“Sorry,” the conductor told him. “I’m afraid things may not
be quite so enjoyable once we pull into that Depot Way Down
Yonder.”
–Robert Bloch (That Hell-Bound Train)

1

Away with us he’s going,
The solemn-eyed:
He’ll hear no more the lowing
Of the calves on the warm hillside
Or the kettle on the hob
Sing peace into his breast,
Or see the brown mice bob
Round and round the oatmeal chest.
For he comes, the human child,
To the waters and the wild
With a faery, hand in hand,
For the world’s more full of weeping than he can understand.–William Butler Yeats (The Stolen Child)

1

What the devil was wrong with him, anyway? Henderson smiled apologetically at the empty darkness. This was the smell of the costumer’s shop, and it carried him back to college days of amateur theatricals. Henderson hiad known this smell of moth balls, decayed furs, grease paint aind oils. He had played amateur Hamlet and in his hands he had held a smirking skull that hid all knowledge in its empty eyes—a skull, from the costumer’s. –Robert Bloch (The Cloak)

1

Which Earth and Heaven could not convulse,
A mighty lesson we inherit:
Thou art a symbol and a sign
To Mortals of their fate and force;
Like thee, Man is in part divine,
A troubled stream from a pure source;
And Man in portions can foresee
His own funereal destiny;
His wretchedness, and his resistance,
And his sad unallied existence:
To which his Spirit may oppose
Itself—and equal to all woes,
And a firm will, and a deep sense,
Which even in torture can descry
Its own concenter’d recompense,
Triumphant where it dares defy,
And making Death a Victory.–Lord Byron (Prometheus)

1

I was rid of feeling, because I had been killed, but perception and thought were in my unhappy soul. The dawn widened, and I saw the desolate houses that crowded the marge of the river, and their dead windows peered into my dead eyes, windows with bales behind them instead of human souls. I grew so weary looking at these forlorn things that I wanted to cry out, but could not, because I was dead. Then I knew, as I had never known before, that for all the years that herd of desolate houses had wanted to cry out too, but, being dead, were dumb. And I knew then that it had yet been well with the forgotten drifting things if they had wept, but they were eyeless and without life. And I, too, tried to weep, but there were no tears in my dead eyes. –Lord Dunsany