Category: dreamhorror

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‘The transference of emotion is a phenomenon so common, so constantly witnessed, that mankind in general have long ceased to be conscious of its existence, as a thing worth our wonder or consideration, regarding it as being as natural and commonplace as the transference of things that act by the ascertained laws of matter. Nobody, for instance, is surprised, if, when the room is too hot, the opening of a window causes the cold fresh air of outside to be transferred into the room, and in the same way no one is surprised when into the same room, perhaps, which we will imagine as being peopled with dull and gloomy persons, there enters some one of fresh and sunny mind, who instantly brings into the stuffy mental atmosphere a change analogous to that of the opened windows.

–E.F. Benson (THE TERROR BY NIGHT)

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‘Again the withered hag poured forth the monotonous words of a prayer that was not meant to be acceptable in Heaven; and soon, in the pauses of her breath, strange murmurings began to thicken, gradually increasing so as to drown and overpower the charm by which they grew. Shrieks pierced through the obscurity of sound, and were succeeded by the singing of sweet female voices, which in their turn gave way to a wild roar of laughter, broken suddenly by groanings and sobs, forming altogether a ghastly confusion of terror and mourning and mirth.’

–NATHANIEL HAWTHORNE (The Hollow of the Three Hills)

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The screams, that fourteenth night, continued until dawn. They were totally unlike any sounds in my experience. Impossible to believe they could be uttered and sustained by a human, yet they did not seem to be animal. I listened, there in the gloom, my hands balled into fists, and knew, suddenly, that one of two things must be true. Either someone or something was making these ghastly sounds, and Brother Christophorus was lying, or–I was going mad. Hearing-voices mad, climbing-walls and frothing mad. I’d have to find the answer: that I knew. And by myself.
–Charles Beaumont (THE HOWLING MAN)

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“And then she died. How? I do not know. I no longer know; but one evening she came home wet, for it was raining heavily, and the next day she coughed, and she coughed for about a week, and took to her bed. What happened I do not remember now, but doctors came, wrote and went away. Medicines were brought, and some women made her drink them. Her hands were hot, her forehead was burning, and her eyes bright and sad. When I spoke to her, she answered me, but I do not remember what we said. I have forgotten everything, everything, everything! She died, and I very well remember her slight, feeble sigh. The nurse said: ‘Ah! and I understood, I understood!’
–Henri René Albert Guy de Maupassant (Was It A Dream)

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Dim, dubious, bat-like creatures seemed to be flitting to and fro between one of the stone vats and the group that toiled like sculptors, clothing the bony foot with a reddish plasm which they applied and moulded like so much clay. Gaspard thought, but was not certain later, that this plasm, which gleamed as if with mingled blood and fire, was being brought from the rosy-litten vat in vessels borne by the claws of the shadowy flying creatures. None of them, however, approached the other vat, whose wannish light was momently enfeebled, as if it were dying down. –Clark Ashton Smith (The Colossus of Ylourgne)

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“The trouble with him was that he was without imagination. He was quick and alert in the things of life, but only in the things, and not in the significances. Fifty degrees below zero meant eighty-odd degrees of frost. Such fact impressed him as being cold and uncomfortable, and that was all. It did not lead him to meditate upon his frailty as a creature of temperature, and upon man’s frailty in general, able only to live within certain narrow limits of heat and cold; and from there on it did not lead him to the conjectural field of immortality and man’s place in the universe.”
― Jack London (To Build a Fire)