Category: astrology

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‘Now the web had filled the entire tomb. It ran and glistened with a hundred changing hues, it dripped with glories drawn from the spectrum of dissolution. It bloomed with ghostly blossoms, and foliages that grew and faded as if by necromancy. The eyes of Grotara were blinded; more and more he was meshed in the weird web. Unearthly, chill as the fingers of death, its gossamers clung and quivered upon his face and hands.’ –Clark Ashton Smith (The Weaver in the Vault)

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To feel alive with your terrified pulse pounding, to feel the warm embrace of love, to have your teeth chatter with fear, the stomach quivering nausea of dread, or the blinding throes of rage, is what I offer with this collection. These horror poems I share with you have blazed the flames brightly to inspire me to create the most ghastly of horror tales and the most powerful of rock songs to date. You’re going to know my soul crushing angst in ‘Blood in the Pouring Rain’ as I saved my father’s life. You’ll look over your shoulder a glance or two maybe with a tear hearing the haunting ‘Sarah the Eternal’. And maybe you will laugh and howl along with ‘Ghost on Christmas Mountain’ to lift your spirits.

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‘It’s not the kind of story that the columnists like to print; it’s not the yarn press-agents love to tell. When I was still in the Public Relations Department at the studio, they wouldn’t let me break it. I knew better than to try, for no paper would print such a tale. We publicity men must present Hollywood as a gay place; a world of glamor and star-dust. We capture only the light, but underneath the light there must always be shadows. I’ve always known that—it’s been my job to gloss over those shadows for years—but the events of which I speak from a disturbing pattern too strange to be withheld. The shadow of these incidents is not human.’

—Robert Bloch (Return to the Sabbath)

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“There was a deep soft thundering in his ears, a rosy dazzlement in his eyes. Somehow the hut appeared to expand, to change luminously about him. He hardly recognized its squalid furnishings, its litter of baleful oddments, on which a torrid splendor was shed by the black candles, tipped with ruddy fire, that towered and swelled gigantically into the softgloom His blood burned as with the throbbing flame of the candles.”—Clark Ashton Smith (Mother of Toads)

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And each and every thing was transfigured in his vision, and in my vision—the vision he gave now to me—to the exquisite essence of itself. A wordless and eternal voice spoke from the starry veil of heaven, it sang in the wind that rushed through the broken timbers; it sighed in the flames that ate the sooted stones of the hearth.–Anne Rice (The Master of Rampling Gate)

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“And how is it with your views of a future life?” inquired the speculative clergyman.

“Worse than with you,” said the old man, in a hollow and feeble tone; “for I cannot conceive it earnestly enough to feel either hope or fear. Mine,—mine is the wretchedness! This cold heart,—this unreal life! Ah! it grows colder still.”

It so chanced that at this juncture the decayed ligaments of the skeleton gave way, and the dry hones fell together in a heap, thus causing the dusty wreath of cypress to drop upon the table. The attention of the company being thus diverted for a single instant from Gervayse Hastings, they perceived, on turning again towards him, that the old man had undergone a change. His shadow had ceased to flicker on the wall.–Nathaniel Hawthorne (The Christmas Banquet)